Yes, this thread is from waaay back and I’ve learned a thing or two about using natural colorants since then, especially from
@curlycoat2 and wildplantanica. The tea into the lye method works well, but using colorants in lye adds work if the end goal is a multicolored soap,
This is why I love looking at old threads
Chass at Wild Plantanica is absolutely amazing. That woman has a great deal of knowledge & skill when it comes to using natural colorants, and her products are INCREDIBLE. Some of the most beautiful I have ever seen.
@curlycoat2 is Jo Hausler herself, if I understood correctly from reading this thread. I do make colorant infusions as she does, for sure. Would love to see more of what she is doing now & to hear from her in the forums.
Yes, that is the main reason I haven't done the colorants in lye method yet, because I do a lot of multicolored soaps. I am working my way around that, which sometimes takes some mulling over before beginning to experiment as I then need to plan a design around how I am using my colorants.
I’ve been able to achieve a very nice pink from
madder pigment extracted with isopropyl alcohol (also shown in first soap pic in this thread)
Yes, I did see that, which was pretty exciting. My hesitation in using tinctured colorants was the effect the alcohol, or alcohol residue, could potentially have on my soap batter. Now I know it can be done, which I am feeling quite stoked about!
Time to buy another case of pure grain alcohol as I have some playing to be doing!
and also beautiful maroon and purple colors when indigo (manufactured) was added along with the madder extract.
I saw Holly from YouTube making a beautiful purple using indigo & rhubarb root, I believe it was. My jaw dropped open when I saw the super-intense result! I have not yet mixed indigo with madder, but have done so with other natural colorants. I like mixing clays with various plant colorants as well, which has worked quite nicely. I still have lots of farting around to do
@QuasiQuadrant after you make the oil maceration, do you strain the oil, or do you use the the maceration without straining?
When I do a maceration, I normally don't strain it. It's *quite* thick & not at all easy to strain. Plus the added plant material which has been well saturated with oil results in very intense colours which are far less prone to fading.
If wanting to strain plant material from my colorants, I use my pre-infused oils, exactly as Jo Hausler does, which makes things easier. Often the plant material is so well settled in the bottoms of my jars that all I have to do is pout the oil off. But if I have shaken the jar beforehand to obtain a more intense color, I sometimes do strain it.
Love these natural colorant threads